Land of the Headless

Rating:	★★★★
Category:	Books
Genre:	Science Fiction & Fantasy
Author:	Adam Roberts

Imagine turning over the paper in your Pub Philosophy exam, and seeing the following question:

1. A fundamentalist government may well use severe punishments such as beheading. However, future medical progress may make such punishments less terminal. Discuss.

'Land of the Headless' is Adam Robert's answer. It's also a nice novel following a rather foolish, impetuous man who has his head cut off and then has to deal with becoming part of an underclass in a rather stilted fundamentalist society, but who eventually finds love, escapes, and lives happily ever after. As ever with Mr Roberts, you kind of get the feeling that the plot is almost incidental; but what it lacks in drive, it makes up for in sheer wonder. The characters are typical Roberts creations - stupid, stiff-necked, misunderstood creatures whose paths through life is complicated by their own mistakes, they are all the more human for their so-obvious failings... and that delicious central premise, that beheading is no longer a final judgement but leaves behind a rather embarrassing human residue, is a nice satirical comment on the current rise of fundamentalism in our Age of Technology. I enjoyed it enormously.

All in all, Land of the Headless is not the B-movie gorefest it's title might suggest (sorry Tara), but what they call a 'high-concept' novel - presumably because the plot has been kicked out to leave more room to explore ideas. Another novel which I've been wading through recently also claimed to be 'challenging literary concepts', but Hal Duncan's Vellum is at the other end of the scale. Frankly, I wish I'd paid more attention to that phase about literary concepts when I'd read the blurb on the back, as it might have set some alarm bells ringing. Hal wants his story to transcend time (And maybe space, too); his protagonists are archetypes, replaying the same story in different worlds at different times. Done well - as a series of short stories, perhaps, in a Michael Moorcock style - this could have been an interesting concept. As it is, however, it makes for a choppy read. The scene/story changes happen so quickly it's tiring; flipping between ancient Sumer/twenty first century Bible Belt/the trenches of the Somme/deserted beach hut on the brink of the Apocalypse every paragraph gets dull quickly, and most of the backdrops felt like cliches. That's not to say there aren't some nice set-pieces; but they're not enough. What's worse, the plot doesn't make a great deal of sense - presumably it will be explained in the sequel, but really, I won't be bothering. It was hard enough slogging through the first volume.